Carnival in Trinidad

Today and tomorrow, the twin-island republic of Trinidad and Tobago will celebrate Carnival 2020. Thousands of spectators and masqueraders are expected to experience sheer fun in the sun during this annual exercise.

According to the National Library and Information System Authority, “carnival in Trinidad and Tobago is one of grandeur, color, revelry, rhythm, and gaiety. It is truly an all-inclusive national festival. It is by far the most spectacular event on the nation’s calendar.”

There is no theatrical event that can mobilize mass-participation in any Caribbean island as carnival in Trinidad and Tobago is able to do. It is believed that as many as 15% of the almost 1 ½ million residents, actively participate in carnival. Months of planning and competition culminate in two days of glitter and dance. The creativity reflected in costumes is unparalleled in the Caribbean. The rhythm of calypso music and the unique contribution of the steel pan combine to present one of the greatest theatrical shows on earth.

Apart from the opportunities to be creative, some believe, carnival brings emotional relief to many persons. According to Darryl Barrow (Caribbean Journal of Religious Studies), “There are many people who regard carnival as a good escape-releaser. People have been experiencing stress, strain and certain inhibitions – carnival allows people to release their pent-up energies and desires.”

Interestingly, what Barrow sees as an asset in carnival, Ismith Khan, in The Obeah Man, sees as symptoms of deep-seated social malaise. There seems to be an underlying irony of the carnival spirit. Derek Walcott may well be alluding to this in his poem Mass Man. Here Walcott exposes carnival as a kind of sham behind which we may discover images of pain and despair.

While living in Trinidad, I heard much of this pain reflected in calypsos. Whereas one can choose to focus on calypso as a work of art, and glory in the calypsonian’s ability, the reality of what is communicated cannot be ignored. Pain is too often trivialized in order to solicit laughter. To use frivolity as a coping device for pain can be compared with using Band-Aid to relieve cancer.

The increasing use of alcohol during carnival may also be another coping device as well as a vital part of entertainment. This excessive use of alcohol is compounded by an upsurge of unwanted pregnancies and increasing incidents of sexually transmitted diseases.

In light of this, it is not enough to rejoice in the creative opportunities carnival brings and ignore the social price the nation is forced to pay. When asked about this anomaly, one popular calypsonian told his interviewer that he was an entertainer and not a pastor. In essence, his role was to ensure laughter, not serious reflection.

Ash Wednesday, the day following two days of carnival, is no laughing matter. The abandoned costumes, piles of debris and inebriated bodies, paint a picture of gloom, so unlike the picture of laughter that prevailed hours earlier. When added to the cases of marital unfaithfulness, unwanted pregnancies and sordid list of social evils, one is left to ask - is this the price a small nation should pay for joy?

This quest for joy is not limited to carnival in the twin-island republic. Similar festivals in Latin American countries pursue the same outcomes. Both in Trinidad & Tobago and in Latin America, there is a strong Roman Catholic association with carnival.

The festival is routinely celebrated on the eve of Lent – a period characterized by prayers and much abstinence. It would seem then, that the observance of carnival was intended to serve as a last fling, before the holy season of reflection. In Catholic tradition, Ash Wednesday is one of the most popular and important holy days in the liturgical calendar. The practice includes the wearing of ashes on the head.

The events of Ash Wednesday would suggest that participating in carnival is sinful and therefore requires forgiveness and penitence. But is this religious ritual enough to bring about forgiveness?

Some evangelicals would contend that a personal faith in Christ often leads to a disinterest in carnival. Stories of conversion from former carnival enthusiasts would seem to suggest that their conversion resulted in new interests and different expressions of joy.

Some believe this new way of living is what Paul had in mind when he wrote to the Corinthians. He said, “... anyone united with the Messiah (Jesus) gets a fresh start, is created new. The old life is gone; a new life burgeons! Look at it!” (The Message 2 Cor. 5:17).

The absence of carnival from the Christian worldview, leaves one with the need to find more appropriate ways to express joy. Ways that do not require alcohol to sustain or stimulate joy. Ways that will utilize creativity, melody, movement and glitter. Honestly, Christians have much work to do to be able to display more sanitized expressions of joy.